Gertrude Hermes 1901-1983
Adam & Eve, c.1934
Bronze
9 7/8 x 4 x 4 3/4 in
25 x 10 x 12 cm
25 x 10 x 12 cm
In his introduction for The Wood Engravings of Gertrude Hermes, Simon Brett states that: In considering her prints, it is important always to remember the sculpture. Expression in neither medium...
In his introduction for The Wood Engravings of Gertrude Hermes, Simon Brett states that:
In considering her prints, it is important always to remember the sculpture. Expression in neither medium would have been the same without the other and a relationship may continually be traced between the two.
This is certainly the case with Adam and Eve. Hermes depicts the creation story several times, in both wood engraving and sculpture. The earliest incarnation was produced in 1924 and is believed to have been her first ever engraving. This initial piece is simplistic, focusing on the pair's form, and emphasising the contours of their bodies. Although the bronze is reminiscent of this early engraving, Hermes's style has undoubtedly gone through an evolution during this period. She created a second sculpture, again entitled Adam and Eve during the 1950s. This was a larger piece, carved from elm.
In considering her prints, it is important always to remember the sculpture. Expression in neither medium would have been the same without the other and a relationship may continually be traced between the two.
This is certainly the case with Adam and Eve. Hermes depicts the creation story several times, in both wood engraving and sculpture. The earliest incarnation was produced in 1924 and is believed to have been her first ever engraving. This initial piece is simplistic, focusing on the pair's form, and emphasising the contours of their bodies. Although the bronze is reminiscent of this early engraving, Hermes's style has undoubtedly gone through an evolution during this period. She created a second sculpture, again entitled Adam and Eve during the 1950s. This was a larger piece, carved from elm.
