Henry Moore 1898-1986
25.5 x 10.5 x 6.5 cm
This work was likely inspired by Moore’s encounter with Naum Gabo’s sculptures and Man Ray’s photographs of mathematical models with each utilising a similar string technique. The strings create a tension – both actual and metaphorical, and depict a sense of claustrophobia, anxiety, and entrapment that many have associated with the turbulent politics of the 1930s and feelings of apprehension attached to the threat of another global conflict.
Provenance
Leicester Galleries;
Dalzell Hatfield Galleries;
Private collection